The first full-scale revaluation in nearly twenty years, this eloquent book highlights Carlyle's histories as the central expression of his genius. History, as Carlyle understood it, is poetry, prophecy, biography, and social criticism all in one. In the writing of history he found his vocation. The story opens with Carlyle's self-creation, during his years in the wilderness of Craigenputtoch, as a prophecy and exegete of the “scripture” of history. Carlyle conceived of his histories as modern prose epics; in The French Revolution, a seminal work in the development of nineteenth-century narrative, Carlyle came closest to realizing this ambition.
John Rosenberg's reading of Carlyle's masterpiece recaptures for the modern reader the excitement and power it exerted on the imaginations of writers as diverse as Mill and Emerson, Dickens and George Eliot, Thackeray and Whitman. The concluding chapters address the later, more problematic writings in which Carlyle's vision narrows and his compassion stiffens into contempt. His indictment of the brutality of laissez-faire capitalism in Past and Present inspired Dickens, Ruskin, and Engels; yet he supported slavery in the American South, and in our own century his Frederick the Great solaced Hitler during the final hours in the Berlin bunker.
Past and Present is Carlyle's last great work and the first in which he loses his way. His confidence in his ability to read the design of history falters, and as the past grows unintelligible, the present becomes intolerable. He retreats within himself, and the signs of that long withdrawal are evident in the fitful brilliance of Cromwell and Frederick the Great, his final meditations on history.
When the Confederates emerged as victors in the Chickamauga Campaign, the Union Army of the Cumberland lay under siege in Chattanooga, with Braxton Bragg’s Army of Tennessee on nearby high ground at Missionary Ridge and Lookout Mountain. A win at Chattanooga was essential for the Confederates, both to capitalize on the victory at Chickamauga and to keep control of the gateway to the lower South. Should the Federal troops wrest control of that linchpin, they would cement their control of eastern Tennessee and gain access to the Deep South. In the fall 1863 Chattanooga Campaign, the new head of the western Union armies, Ulysses S. Grant, sought to break the Confederate siege. His success created the opportunity for the Union to start a campaign to capture Atlanta the following spring.
Woodworth’s introduction sets the stage for ten insightful essays that provide new analysis of this crucial campaign. From the Battle of Wauhatchie to the Battle of Chattanooga, the contributors’ well-researched and vividly written assessments of both Union and Confederate actions offer a balanced discussion of the complex nature of the campaign and its aftermath. Other essays give fascinating examinations of the reactions to the campaign in northern newspapers and by Confederate soldiers from west of the Mississippi River.
Complete with maps and photos, The Chattanooga Campaign contains a wealth of detailed information about the military, social, and political aspects of the campaign and contributes significantly to our understanding of the Civil War’s western theater.
Univeristy Press Books for Public and Secondary Schools 2013 edition
From mid-August to mid-September 1863, Union major general William S. Rosecrans’s Army of the Cumberland maneuvered from Tennessee to north Georgia in a bid to rout Confederate general Braxton Bragg’s Army of Tennessee and blaze the way for further Union advances. Meanwhile, Confederate reinforcements bolstered the numbers of the Army of Tennessee, and by the time the two armies met at the Battle of Chickamauga, in northern Georgia, the Confederates had gained numerical superiority.
Although the Confederacy won its only major victory west of the Appalachians, it failed to achieve the truly decisive results many high-ranking Confederates expected. In The Chickamauga Campaign,Steven E. Woodworth assembles eight thought-provoking new essays from an impressive group of authors to offer new insight into the complex reasons for this substantial, yet ultimately barren, Confederate victory.
This broad collection covers every angle of the campaign, from its prelude to its denouement, from the points of view of key players of all ranks on both sides. In addition to analyzing the actions taken by Union leaders Thomas L. Crittenden, Alexander McCook, and James S. Negley, and Confederate commanders Braxton Bragg, Patrick Cleburne, Daniel Harvey Hill, Thomas C. Hindman, James Longstreet, and Alexander P. Stewart, the book probes the campaign’s impact on morale in the North and South, and concludes with an essay on the campaign’s place in Civil War memory. The final essay pays particular attention to Union veteran Henry Van Ness Boynton, the founder and developer of Chickamauga and Chattanooga State Military Park, whose achievements helped shape how the campaign would be remembered.
This second volume in the Civil War Campaigns in the Heartland seriesprovides a profound understanding of the campaign’s details as well as its significance to Civil War history.
Contributors:
John R. Lundberg
Alexander Mendoza
David Powell
Ethan S. Rafuse
William G. Robertson
Timothy B. Smith
Lee White
Steven E. Woodworth
The Idylls of the King is one of the indisputably great long poems in the English language. Yet Tennyson's doom-laden prophecy of the fall of the West has been dismissed as a Victorian-Gothic fairy tale. John D. Rosenberg maintains that no poem of comparable magnitude has been so misread or so maligned in the twentieth century as Tennyson's symbolist masterpiece.
In The Fall of Camelot the author calls into question the modernist orthodoxy that rejects all of Victorian poetry as a Waste Land and ignores the overriding importance of Tennyson to the development of Yeats, T. S. Eliot,and the symbolists. Far from being an escapist medieval charade, the Idylls offers an apocalyptic prevision of the nightmare of modern history. Concealed under the exquisitely romantic surface of the verse is a world of obsessive sensuality and collapsing values that culminates in the "last dim weird battle the West." Perhaps the subtlest anatomy of the failure of ideality in our literature, the Idylls is not only about hazards of mistaking illusion for reality; it dramatically enacts those dangers, ensnaring the reader in the same delusions that maim and destroy the characters.
Rosenberg shows that Tennyson has created a new genre whose true originality criticism has yet to perceive. By employing landscape as a symbolic extension of character, Tennyson obliterates the gap between self and scene and frees himself from bondage toconventional narration.
Throughout the Idylls charactercannot be extricated from setting orsymbol, and neither has substanceapart from the narrative in which it isenmeshed. In essence, the narrativeis a sequence of symbols protracted intime, the symbolism a kind ofcondensed narration.
"Timescape" in the Idylls, like landscape, serves to bind all eventsof the poem into a continuous present.Arthur is at once a Christ figure andSun-King whose career parallels that ofhis kingdom, waxing and waningwith the annual cycle. At the heart ofArthur's story lies the dual cycle of hispassing and promised return.Incorporating this cycle into itsstructure, the Idylls is itself a kind ofliterary second coming of Arthur, aresurrection in Victorian England of thelong sequence of Arthuriads extendingback before Malory and forwardthrough Spenser, Dryden, Scott, andTennyson.
Two preeminent legal scholars explain what tort law is all about and why it matters, and describe their own view of tort’s philosophical basis: civil recourse theory.
Tort law is badly misunderstood. In the popular imagination, it is “Robin Hood” law. Law professors, meanwhile, mostly dismiss it as an archaic, inefficient way to compensate victims and incentivize safety precautions. In Recognizing Wrongs, John Goldberg and Benjamin Zipursky explain the distinctive and important role that tort law plays in our legal system: it defines injurious wrongs and provides victims with the power to respond to those wrongs civilly.
Tort law rests on a basic and powerful ideal: a person who has been mistreated by another in a manner that the law forbids is entitled to an avenue of civil recourse against the wrongdoer. Through tort law, government fulfills its political obligation to provide this law of wrongs and redress. In Recognizing Wrongs, Goldberg and Zipursky systematically explain how their “civil recourse” conception makes sense of tort doctrine and captures the ways in which the law of torts contributes to the maintenance of a just polity.
Recognizing Wrongs aims to unseat both the leading philosophical theory of tort law—corrective justice theory—and the approaches favored by the law-and-economics movement. It also sheds new light on central figures of American jurisprudence, including former Supreme Court Justices Oliver Wendell Holmes, Jr., and Benjamin Cardozo. In the process, it addresses hotly contested contemporary issues in the law of damages, defamation, malpractice, mass torts, and products liability.
Some 100,000 soldiers fought in the April 1862 battle of Shiloh, and nearly 20,000 men were killed or wounded; more Americans died on that Tennessee battlefield than had died in all the nation’s previous wars combined. In the first book in his new series, Steven E. Woodworth has brought together a group of superb historians to reassess this significant battleandprovide in-depth analyses of key aspects of the campaign and its aftermath.
The eight talented contributors dissect the campaign’s fundamental events, many of which have not received adequate attention before now. John R. Lundberg examines the role of Albert Sidney Johnston, the prized Confederate commander who recovered impressively after a less-than-stellar performance at forts Henry and Donelson only to die at Shiloh; Alexander Mendoza analyzes the crucial, and perhaps decisive, struggle to defend the Union’s left; Timothy B. Smith investigates the persistent legend that the Hornet’s Nest was the spot of the hottest fighting at Shiloh; Steven E. Woodworth follows Lew Wallace’s controversial march to the battlefield and shows why Ulysses S. Grant never forgave him; Gary D. Joiner provides the deepest analysis available of action by the Union gunboats; Grady McWhineydescribes P. G. T. Beauregard’s decision to stop the first day’s attack and takes issue with his claim of victory; and Charles D. Grear shows the battle’s impact on Confederate soldiers, many of whom did not consider the battle a defeat for their side. In the final chapter, Brooks D. Simpson analyzes how command relationships—specifically the interactions among Grant, Henry Halleck, William T. Sherman, and Abraham Lincoln—affected the campaign and debunks commonly held beliefs about Grant’s reactions to Shiloh’s aftermath.
The Shiloh Campaign will enhance readers’ understanding of a pivotal battle that helped unlock the western theater to Union conquest. It is sure to inspire further study of and debate about one of the American Civil War’s momentous campaigns.
Ulysses S. Grant’s ingenious campaign to capture the last Confederate stronghold on the Mississippi River was one of the most decisive events of the Civil War and one of the most storied military expeditions in American history. The ultimate victory at Vicksburg effectively cut the Confederacy in two, gave control of the river to Union forces, and delivered a devastating blow from which the South never fully recovered. Editors Steven E. Woodworth and Charles D. Grear have assembled essays by prominent and emerging scholars, who contribute astute analysis of this famous campaign’s most crucial elements and colorful personalities.
Encompassed in this first of five planned volumes on the Vicksburg campaign are examinations of the pivotal events that comprised the campaign’s maneuver stage, from March to May of 1863. The collection sheds new light on Grant’s formidable intelligence network of former slaves, Mississippi loyalists, and Union spies; his now legendary operations to deceive and confuse his Confederate counterparts; and his maneuvers from the perspective of classic warfare. Also presented are insightful accounts of Grant’s contentious relationship with John A. McClernand during the campaign; interactions between hostile Confederate civilians and Union army troops; and the planning behind such battles as Grierson’s Raid, Port Gibson, Raymond, Jackson, Champion Hill, and Big Black River Bridge.
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